2017 has been the most (positively) life-altering year for me yet – like a rising sun or ‘Soleil Levant’ (more about this later). The last few months have been a whirlwind of change (hence the lack of blog posts). I’ve changed jobs and cities. I’ve travelled across Europe, Asia and Africa – including trips to Singapore and Denmark for the first time – and learnt new words as part of my ongoing ambitious attempt to teach myself Arabic.
I’ve been taught some unforgettable lessons this year, not least of which is that relocating to a new city is no easy task! However, what makes things much easier is moving to a lovely Scouse city, supportive and inclusive work colleagues and of course bountiful doses of humour and reality checks from good friends (you know who you are). My year – both personal and professional – could be summarised in this eloquent, brief ‘autobiography’ by Portia Nelson:
I’m currently in either Chapters IV or V in various aspects of my life – but I’m slowly getting there and learning not to make choices that only lead me into the same ‘hole in the sidewalk’. Those who know me, will agree that I certainly applied the last chapter to a key area of my life that was bringing me nothing but stress and negativity. Also during 2017, I’m happy to report that following my reflections this time last year, I proudly wore my multi-potentialite and multi-localite identity. This is something I will continue to affirm, and hopefully, might lead to some interesting blog posts in 2018, so watch this space!
On a more solemn note, one particular experience from late Summer of 2017 which will be forever etched in my memory is that of standing before Ai Weiwei’s art installation in Copenhagen. The statement about the plight of refugees evoked powerful memories of my time volunteering with the refugees in Budapest, Hungary at the peak of the Syrian crisis in 2015. Weiwei’s Copenhagen installation, named ‘Soleil Levant’ (French for Rising Sun) is inspired by Claude Monet’s 1872 painting Impression, Soleil Levant. Monet’s art depicts the harbour in Le Havre, France, at the end of the 1870-71 Franco-Prussian war, capturing the political and social reality of its time with its cranes, steamboats and industrialisation. Weiwei’s Soleil Levant draws attention to the political and social reality of today through the arrangement of 3500 used refugee lifejackets stacked on the facade of a building. The installation is particularly notable, for its location within the thriving Nyhavn district, and I found the stark contrast between the vivacious outdoor cafes on one side of the canal, and Weiwei’s sombre Soleil Levant on the other side to be a moving and poignant reminder of the vicissitudes of life. I have inserted a slideshow of some images that reflect this below.
Weiwei’s commemoration of the refugees’ ordeals reminded me of another of my favourite artists, Nizar Ali Badr, whom I was also thrilled to see receive recognition and coverage by the BBC in 2017. I recall writing about Badr in 2016; his works moved me then, and continue to do so today. Experiencing Weiwei’s installation first hand, seeing the marks on the life jackets, the dried sand and possible bloody stains, served to remind me of the immensity of my own blessings.
So here’s to 2018 – may it be a year in which, like a Soleil Levant, the sun rises to greet us and remind us each day to be grateful for our blessings. I leave you, dear readers of my blog, as I do each year, with an Irish blessing which is one of my favourite new year wishes:
“May there always be work for your hands to do;
May your purse always hold a coin or two;
May the sun always shine on your windowpane;
May a rainbow be certain to follow each rain;
May the hand of a friend always be near you;
May God fill your heart with gladness to cheer you.”
Saneeya Qureshi © 2017